Live in Denver Panic at the Disco Cover Art

2005 studio anthology by Panic! at the Disco

A Fever You Tin can't Sweat Out
PanicAtTheDisco-FeverCover.jpg
Studio anthology by

Panic! at the Disco

Released September 27, 2005 (2005-09-27)
Recorded June–September 2005
Studio
  • SOMD! Studios (College Park)
  • Darn! Studios (Lewisville)
Genre
  • Popular punk
  • emo
  • emo pop
  • baroque pop
  • electropunk
  • dance-punk
  • culling rock
Length 39:42
Label
  • Decaydance
  • Fueled past Ramen
Producer Matt Squire
Panic! at the Disco chronology
A Fever You lot Can't Sweat Out
(2005)
Pretty. Odd.
(2008)
Singles from A Fever You Tin't Sweat Out
  1. "The Only Departure Between Martyrdom and Suicide Is Printing Coverage"
    Released: September 27, 2005 (2005-09-27)
  2. "I Write Sins Not Tragedies"
    Released: Jan 16, 2006 (2006-01-16)
  3. "Merely It's Better If You Do"
    Released: May one, 2006 (2006-05-01)
  4. "Lying Is the Most Fun a Daughter Can Accept Without Taking Her Clothes Off"
    Released: August 7, 2006 (2006-08-07)
  5. "Build God, Then Nosotros'll Talk"
    Released: March 26, 2007 (2007-03-26)

A Fever You lot Can't Sweat Out is the debut studio album by American pop rock ring Panic! at the Disco. Produced by Matt Squire, the album was released on September 27, 2005,[one] through Decaydance and Fueled by Ramen. The group formed in Las Vegas in 2004 and began posting demos online, which caught the attention of Fall Out Boy bassist Pete Wentz. Wentz signed the group to his own imprint label, Decaydance, without them having ever performed live. Information technology is the but album released during original bassist Brent Wilson's time in the band, but the exact nature of his involvement in the writing and recording process became a source of contention upon his dismissal from the group in mid-2006.

The album was recorded on a small budget at SOMD! Studios in College Park, Maryland over several weeks in June 2005. The group had only graduated from high schoolhouse 1 calendar month earlier. With lyrics written by lead guitarist/backing vocalizer Ryan Ross, the album is divided into halves stylistically; the first half is primarily pop punk with elements of electronic, while the 2nd employs more traditional instrumentation, with influences of baroque pop.

Upon its release, A Fever You Tin't Sweat Out became a commercial success. Its second single, "I Write Sins Non Tragedies", became a elevation 10 hitting in the United States. It helped bolster sales to 1.8 meg in the U.s.a. by 2011, making it the group's best-selling release.[two] Despite its sales, the anthology polarized music critics, with many praising the anthology'southward catchiness and others questioning its originality. The band promoted the record with stints on the Nintendo Fusion Tour before its first headlining tour, the Nothing Rhymes With Circus Tour. In late 2015, its certification was upgraded to RIAA double platinum for two 1000000 shipments.[iii]

Background [edit]

The band was formed in 2004, at this fourth dimension named Pet Salamander, in the suburban area of Summerlin, Las Vegas, by babyhood friends Ryan Ross on guitar and Spencer Smith on drums. Both teens attended Bishop Gorman Loftier Schoolhouse and they began playing music together in ninth grade. They invited their friend Brent Wilson from nearby Palo Verde High School to bring together on bass guitar, and Wilson invited his classmate Brendon Urie to try out on guitar.[iv] They soon began rehearsing in Smith's grandmother's living room.[v] Urie grew upwardly in a Mormon family in Las Vegas and early on skipped rehearsals to become to church.[6] Ross initially was the pb singer for the group, just on hearing Urie singing backing vocals during an early on rehearsal, they unanimously decided to move him to pb.[seven] They initially worked purely as a Glimmer-182 cover band.[viii]

The monotonous nature of local Las Vegas bands influenced them to be different and artistic, and they before long began recording experimental demos. Ross and Urie soon began to record on their laptops the demos they had been developing and posted 3 early demos ("Time to Trip the light fantastic", "Nails for Breakfast, Tacks for Snacks" and "Camisado") on PureVolume.[4] On a whim, they sent a link to Autumn Out Boy bassist Pete Wentz via a LiveJournal account, and effectually this time they had inverse the proper name of the band to Panic at the Disco. Wentz, who was in Los Angeles at the time with the residue of Fall Out Boy working on their first major-label album, From Nether the Cork Tree, collection to Las Vegas to run across the band.[9] On hearing "ii to three" songs during band practice, Wentz was impressed and immediately wanted the ring to sign to his Fueled by Ramen imprint characterization Decaydance Records, which fabricated them the first on the new label, which the group did around Dec 2004. Effectually this time they had put an exclamation betoken at the stop of Panic as a joke, and every bit they said in an interview years subsequently, it stuck with them and became the official proper noun of the band.[7]

At the time of their signing, all of the band members were notwithstanding in high school, with the exception of Ross, who was forced to leave the University of Nevada, Las Vegas.[4]

Recording and production [edit]

After completing high school, the group members boarded a van and drove from Las Vegas to College Park, Maryland to tape the album. Fueled by Ramen wanted the band to go into the studio earlier in the year, just Ross was attending college at UNLV and the others were still in loftier school. Urie graduated in May 2005 and the band pushed recording back to June; Smith and Wilson completed school online during production.[4] They picked producer Matt Squire based on his production on several contained albums the grouping liked. The label had hoped they would pick Mike Green, who had worked with Paramore on All We Know Is Falling. "I call up Crush Direction and Fueled past Ramen were similar, 'Who is this dude?'" said Squire.[10]

A Fever You Can't Sweat Out was created in simply "3 and a half weeks"—including mixing and mastering—on a budget of $11,000.[10] The group entered the studio with half of the songs completed; the others were crafted in pre-product.[7] Recording was stressful. "We were in the studio for 14 hours a twenty-four hour period for five weeks; we might have started losing our minds a footling bit," Ross recalled humorously in a 2006 interview.[11] The band lived in a i-chamber basement studio apartment during the production, with all sleeping in bunk beds. "Anybody got on everybody'south nerves," said Ross. "Someone would write a new office for a vocal and someone else would say they didn't similar information technology but considering you lot ate their cereal that morn."[11] Urie's voice was blown after tracking the album. Squire remembered that about of the album'south choruses and high harmonies were recorded in one session.[ten] By the cease of product, the band hadn't had a day off and were wearied. After its completion, "We had two weeks to come abode and learn how to be a ring," Ross said.[iv]

In the fallout of Wilson's firing from the band in May 2006 due to "lack of responsibility" and "not progressing musically with the band", the remaining members as well alleged that Wilson did non participate in the writing and recording of the album, with Urie and Ross writing bass parts that were simplified and so that Wilson could play them alive, and Urie recording them in the studio.[12] Wilson denied their statement, insisting that he was nowadays in the studio every day, participating in writing, and education Urie how to play certain parts. He besides sued the ring for 25% of royalties from the anthology'south sales, every bit stipulated in the original contract.[13]

Composition [edit]

"Every song that we wrote for the offset album made it. We didn't recollect about writing a bunch of songs and picking the best ones. Nosotros had to simply make the best songs we ever wrote."

—Urie on the album'due south songs[10]

"A Fever You Tin can't Sweat Out" has been described as pop punk,[14] [15] emo,[sixteen] [17] emo pop,[18] electropunk,[19] dance-punk,[20] bizarre pop,[14] [21] and alternative stone.[22] The album is split in two stylistically, with the beginning one-half of the record using electronic instruments such as synthesizers and drum machines while the second employs traditional instruments such equally the accordion and organ. They are separated past an intermission every bit a link between the two halves, outset with techno-manner dance beats before switching to a piano interlude. Squire recalled that the band had an "identity crisis" upon writing new songs. The more dance-infused tracks were crafted during the grouping'southward time in Vegas, but the band members found themselves writing more straightforward rock tracks when they entered the studio. The band did not want to include the rock songs, simply Squire got them to agree to it 1 day over lunch. "I took them out to lunch and said, "Why don't nosotros tell the story of that creative evolution as the theme of the album?'", he later recalled.[10]

The ambitious quality of the anthology'southward content was representative of the band'southward desire to "practise whatever nosotros wanted," co-ordinate to Urie.[23] Urie specifically cited the Beatles, Queen, the Smiths, Proper noun Taken, and the Keane song "Everybody's Changing" as influences on the album. He remarked, "We took all of those biggest influences, listening to them from our parents and mashed them together."[23]

The album's writing is strongly influenced by Chuck Palahniuk'south work. The song championship "The Only Departure Between Martyrdom and Suicide Is Printing Coverage" is a quote from his book Survivor. "Time to Dance" tells the story of Invisible Monsters, and includes quotes such equally "Give me envy, give me malice, requite me your attention". Other references and quotes can exist institute throughout the album, such as "Just for the record, the conditions today is..." (Diary). Wentz served every bit an counselor to the group on lyrical content: "he was always at that place to help out with a line here, a line there," said Urie. The grouping noticed that bands in the popular punk scene, such as Autumn Out Boy and Name Taken, were using long song titles. The band decided to take this a pace further, creating increasingly long titles partially as an inside joke.[ten] The vocal "I Constantly Thank God for Esteban" was a reference to an infomercial for Esteban Guitars the group found humorous.[x]

Commercial functioning [edit]

Sales of the album began relatively slow. It debuted at No. 112 on the Billboard 200 anthology chart, and later peaked at number 13. The anthology sold over ii one thousand thousand copies in the The states.[x] Information technology spent 88 weeks on the Billboard 200.[24]

Reception [edit]

Professional person ratings
Review scores
Source Rating
AllMusic [25]
Drowned in Audio 6/10[26]
Entertainment Weekly B[27]
Mojo [28]
MusicOMH [29]
Pitchfork 1.5/10[30]
PopMatters four/10[31]
Rolling Stone [32]
The Skinny [33]
Stylus Magazine D[34]

A Fever You Can't Sweat Out divided music critics at the time of its release. Billboard, ten years after its release, deemed it "one of the nearly polarizing albums of our time".[10] Cory D. Byrom of Pitchfork was perchance the about negative, criticizing the state of contemporary emo and bemoaning the album's apparent lack of "sincerity, creativity, or originality".[30] Johnny Loftus of AllMusic was similarly negative, writing, "This is a band in love with making a record — making a argument — but there'southward nothing unique inside, neither in their formula nor the vaunted and sticky production."[25] Lauren Gitlin of Rolling Stone complimented the album's sound, commenting, "What makes Panic different (and excellent) is their use of trip the light fantastic toe-floor synths and roboto drums, which redeems the anthology's whininess."[32] Kerrang! was positive, awarding the record four out of five stars.[35] Rolling Stone also gave a positive review, with iii and a one-half stars out of five.[32] Webzines like Gigwise and Sputnikmusic also gave positive reviews.[36] [37]

The hit single, "I Write Sins Non Tragedies", received massive airplay and Panic! at the Disco won "Video of the Year" on the annual MTV Video Music Awards in 2006, chirapsia young man nominees Madonna, Christina Aguilera, Shakira and Red Hot Chili Peppers. In September 2011, "I Write Sins Not Tragedies" won MTV'due south Best Music Video of the 2000s[38] also every bit Best Music Video of All Time based on online voting.

Accolades [edit]

Rolling Rock listed it among the "xl Greatest Emo Albums of All Time" in 2016, with James Montgomery dubbing it a "genre-defying blueprint" and commenting "it'south difficult to contend that it's non a snapshot of where "emo" was at in 2005, right downwards to the sentence-long song titles."[39]

Year Publication Country Rank List
2012 Rock Sound United Kingdom 16 101 Modern Classics[40]
2016 Kerrang! 16 The 50 Best Rock Albums of the 2000s[41]
Rolling Stone Usa 39 40 Greatest Emo Albums of All Time[39]

Deluxe edition re-issue [edit]

On November xiv, 2006, the album was re-released in a "deluxe" edition (Limited Edition Collectible Deluxe Box), packaged in a cigar box-shaped box set. The box set was limited to 25,000 copies.[ commendation needed ] It included the original album on CD, a alive concert titled Live in Denver on DVD, tarot cards for each song with lyrics printed on individual cards, 2006 tour program, poster of the band, live photo shots, a phenakistoscope, circus-styled mask, fake newspaper article and a bare notebook. The Live in Denver DVD was filmed in Denver on July 22, 2006.[42]

Track list [edit]

All lyrics are written by Ryan Ross; all music is composed past Ross, Brendon Urie, and Spencer Smith.

Japanese edition pre-gap hidden tracks
No. Title Length
one. "Fourth dimension to Trip the light fantastic toe" (demo) four:16
two. "Nails for Breakfast, Tacks for Snacks" (demo) three:56
3. "Camisado" (demo) three:50
Full length: eleven:59
No. Title Length
1. "Introduction" (instrumental) 0:37
two. "The Only Difference Between Martyrdom and Suicide Is Press Coverage" 2:54
3. "London Beckoned Songs About Coin Written by Machines" three:23
4. "Nails for Breakfast, Tacks for Snacks" 3:23
v. "Camisado" iii:xi
half dozen. "Time to Dance" 3:22
seven. "Lying Is the Most Fun a Girl Can Have Without Taking Her Clothes Off" iii:twenty
8. "Intermission" (instrumental) two:35
9. "But It's Better If You lot Practise" 3:25
10. "I Write Sins Not Tragedies" 3:06
eleven. "I Constantly Thank God for Esteban" iii:xxx
12. "There'south a Good Reason These Tables Are Numbered Beloved, You Simply Haven't Thought of Information technology Nevertheless" three:16
13. "Build God, And so Nosotros'll Talk" three:40
Total length: 39:42
Japanese edition bonus rails
No. Title Length
fourteen. "I Write Sins Not Tragedies" (live in Denver) 3:11
Full length: 42:57
Japanese edition enhanced material
No. Title Length
one. "I Write Sins Not Tragedies" (music video) 3:06
two. "But Information technology'southward Better If You Do" (music video) three:36
3. "Lying Is the Most Fun a Girl Can Have Without Taking Her Clothes Off" (music video) three:16
Palatial edition bonus DVD
No. Title Length
one. "Live in Denver" 72:10

Personnel [edit]

Credits for A Fever You Can't Sweat Out, adapted from AllMusic.[43]

Charts [edit]

Certifications [edit]

Notes [edit]

  1. ^ Although Wilson is credited for playing bass, Smith has stated that Wilson did not participate in the album's recording and that Urie played those parts.[44]

References [edit]

  1. ^ Bazley, John (September 27, 2015). "Brendon Urie Reflects on Tenth Ceremony of Panic! at the Disco'due south 'A Fever You Tin't Sweat Out'". Culling Press. Archived from the original on September 27, 2015. Retrieved September 27, 2015.
  2. ^ "Billboard". January 8 – March 26, 2011. Retrieved December 24, 2015.
  3. ^ "Panic! at the Disco'southward 'A Fever You Can't Sweat Out' Goes Double Platinum". Billboard . Retrieved December 24, 2015. [ permanent dead link ]
  4. ^ a b c d e Mike Kalil (October 28, 2005). "Panic! Attacks". Las Vegas Review-Journal. Retrieved March 23, 2011.
  5. ^ "Who are Panic! at the Disco?". BBC News. September 1, 2006. Retrieved March 23, 2011.
  6. ^ Dave Simpson (June 20, 2008). "Growing up is hard to do". The Guardian . Retrieved March 23, 2011.
  7. ^ a b c Brandon Herbel (November 11, 2005). "Panic! At the Disco – Interview". AbsolutePunk. Retrieved March 23, 2011.
  8. ^ James Montgomery (February 2, 2006). "Panic! At The Disco Fight For Cred, Swear They Have No Beefiness With The Killers". MTV News. Retrieved March 20, 2011.
  9. ^ a b c d e f g h i j Chris Payne (September 25, 2015). "Panic! at the Disco's Debut Turns 10: Oral History Told past Brendon Urie, Pete Wentz & More". Billboard . Retrieved September 25, 2015.
  10. ^ a b Cathy McCabe (October v, 2006). "Time to hit panic button". Herald Sun. Australia. Retrieved March 23, 2011.
  11. ^ James Montgomery (June 12, 2006). "Panic! At The Disco Carve up Gets Nasty: Band Alleges Wilson Did Not Play On LP". MTV. Retrieved May 6, 2018.
  12. ^ James Montgomery (August nine, 2006). "Ex-Panic! At The Disco Bassist Initiates Legal Action Against Band". MTV. Retrieved May 6, 2018.
  13. ^ a b Story, Hannah (January eleven, 2016). "Panic At The Disco Decease Of A Available". theMusic.com.au . Retrieved Jan 16, 2016.
  14. ^ "Panic! at the Disco'south Debut Turns 10: Oral History Told by Brendon Urie, Pete Wentz & More than".
  15. ^ Defending the Maligned Archived March 26, 2019, at the Wayback Machine. The Essential. Retrieved February 18, 2016.
  16. ^ Montgomery, James (March 1, 2016). "40 Greatest Emo Albums of All Fourth dimension". Rolling Stone . Retrieved March 1, 2016.
  17. ^ Decease of a Bachelor: Song by Song Review. Strose Chronicle. Retrieved Feb 18, 2016.
  18. ^ http://shu-media.co.uk/music/panic-at-the-disco-album-review/ Panic! at the Disco: Album Review Archived March 17, 2016, at the Wayback Car SHUmedia. Retrieved August 12, 2018.
  19. ^ "Panic! at the Disco". Spin. October three, 2005. Retrieved July 12, 2017.
  20. ^ Album Review: 'Besides Weird to Live, Too Rare to Dice!' by Panic! At The Disco. studlife.com. Retrieved May iv, 2015.
  21. ^ Collar, Matt (February two, 2016). "Panic! at the Disco keeps on innovating". Tufts daily. Retrieved December xv, 2017.
  22. ^ a b Maria Sherman (September 25, 2015). "Panic! at the Disco Reflects: 'A Fever You Tin can't Sweat Out' Turns 10". Fuse.com. Retrieved September 25, 2015.
  23. ^ "Panic! At The Disco A Fever You Can't Sweat Out Chart History". Billboard . Retrieved January 31, 2019.
  24. ^ a b Loftus, Johnny. "A Fever You Can't Sweat Out – Panic! At the Disco". AllMusic. Retrieved Apr 23, 2011.
  25. ^ Diver, Mike (February xv, 2006). "Album Review: Panic! At the Disco – A Fever You Tin't Sweat Out". Drowned in Sound . Retrieved April 23, 2011.
  26. ^ Endelman, Michael (November 14, 2005). "A Fever You Can't Sweat Out". Entertainment Weekly. Archived from the original on November 14, 2018. Retrieved October 24, 2016.
  27. ^ "Panic! at the Disco: A Fever Yous Can't Sweat Out". Mojo: 112. [U]ltra-abrupt lyrics and loftier-velocity mood and tempo switches make listening equally exciting equally lugeing down an ice chute with blindfolds on.
  28. ^ Mckinlay, Fiona (Feb xiii, 2006). "Panic! At The Disco – A Fever Yous Can't Sweat Out". MusicOMH . Retrieved April 23, 2011.
  29. ^ a b Byrom, Cory D. (November 28, 2005). "Panic! At The Disco: A Fever You Tin can't Sweat Out". Pitchfork . Retrieved April 23, 2011.
  30. ^ Bernard, David (January 23, 2006). "Panic! at the Disco: A Fever Y'all Can't Sweat Out". PopMatters . Retrieved October 24, 2016.
  31. ^ a b c Gitlin, Lauren (October 20, 2005). "Panic! at the Disco: A Fever You Can't Sweat Out". Rolling Rock. Archived from the original on July xvi, 2006. Retrieved September 26, 2015.
  32. ^ Toby, Xavier (February 15, 2006). "Panic! At The Disco – A Fever You Can't Sweat Out". The Skinny . Retrieved April 23, 2011.
  33. ^ Passantino, Dom (March fifteen, 2006). "Panic! At The Disco – A Fever You Tin can't Sweat Out – Review". Stylus Magazine. Archived from the original on March 4, 2016. Retrieved April 23, 2011.
  34. ^ "Kerrang! summit albums 2006". Archived from the original on May 26, 2011. Retrieved Apr 23, 2011.
  35. ^ "A Fever You Can't Sweat Out Review". sputnikmusic.com. Retrieved Apr 23, 2011.
  36. ^ "A Fever You Tin't Sweat Out TOLLIE Review". gigwise.com. Retrieved April 23, 2011.
  37. ^ Poll: Best Video Of The 2000s. MTV. Retrieved June 14, 2015.
  38. ^ a b Jonah Bayer; Aaron Burgess; Suzy Exposito; Leor Galil; James Montgomery; Brittany Spanos (March ane, 2016). "40 Greatest Emo Albums of All Time". Rolling Stone. New York Metropolis. Retrieved March 1, 2016.
  39. ^ "Rock Sound's 101 Modernistic Classics: The Last Instalment!". Stone Sound Magazine. July 11, 2012. Retrieved July half-dozen, 2015.
  40. ^ "The 50 Best Rock Albums Of The 2000s". Kerrang!. February 21, 2016. Retrieved March 1, 2016.
  41. ^ "Panic! at the Disco Concert Setlist at Fillmore Auditorium, Denver on July 22, 2006". setlist.fm.
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  43. ^ James Montgomery (May eighteen, 2006). "Panic! At The Disco Split Gets Nasty: Band Alleges Wilson Did Not Play On LP". MTV News. Retrieved June 9, 2019.
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  47. ^ "Danishcharts.dk – Panic! at the Disco – A Fever You Tin't Sweat Out". Hung Medien. Retrieved April 27, 2015.
  48. ^ "Dutchcharts.nl – Panic! at the Disco – A Fever Y'all Tin't Sweat Out" (in Dutch). Hung Medien. Retrieved April 27, 2015.
  49. ^ "Offiziellecharts.de – Panic! at the Disco – A Fever You lot Tin can't Sweat Out" (in German). GfK Entertainment Charts. Retrieved Apr 27, 2015.
  50. ^ "GFK Chart-Track Albums: Calendar week 18, 2006". Chart-Rails. IRMA. Retrieved Apr 27, 2015.
  51. ^ "Norwegiancharts.com – Panic! at the Disco – A Fever You Tin can't Sweat Out". Hung Medien. Retrieved April 27, 2015.
  52. ^ "Charts.nz – Panic! at the Disco – A Fever You Can't Sweat Out". Hung Medien. Retrieved April 27, 2015.
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  54. ^ "Swedishcharts.com – Panic! at the Disco – A Fever You Can't Sweat Out". Hung Medien. Retrieved April 27, 2015.
  55. ^ "Swisscharts.com – Panic! at the Disco – A Fever You Can't Sweat Out". Hung Medien. Retrieved April 27, 2015.
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  57. ^ "Panic at the Disco 2 Nautical chart History (Billboard 200)". Billboard. Retrieved April 27, 2015.
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  61. ^ "Top Billboard 200 Albums – Yr-Terminate 2006". Billboard . Retrieved October 3, 2019.
  62. ^ "Pinnacle Rock Albums – Yr-End 2006". Billboard . Retrieved Oct 3, 2019.
  63. ^ "ARIA Charts – Accreditations – 2006 Albums" (PDF). Australian Recording Industry Clan.
  64. ^ "Canadian anthology certifications – Panic! at the Disco – A Fever You Tin can't Sweat Out". Music Canada.
  65. ^ "New Zealand album certifications – Panic! at the Disco – A Fever You Can't Sweat Out". Recorded Music NZ.
  66. ^ Jones, Alan (June 29, 2018). "Charts analysis: Greatest Showman gear up to surpass Adele'south record-breaking run at top". Music Week.
  67. ^ "British album certifications – Panic! at the Disco – A Fever You lot Tin can't Sweat Out". British Phonographic Industry. Retrieved April 25, 2021.
  68. ^ "American album certifications – Panic at the Disco – A Fever Y'all Tin't Sweat Out". Recording Industry Association of America. Retrieved March 15, 2019.

External links [edit]

  • A Fever You Tin can't Sweat Out at YouTube (streamed copy where licensed)
  • A Fever You Can't Sweat Out at MusicBrainz (list of releases)

huntpues2001.blogspot.com

Source: https://en.wikipedia.org/wiki/A_Fever_You_Can%27t_Sweat_Out

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