Arts Appear to Play Role in Brain Development Main by Liz Bowie Main Idea
| Life on Mars | |
|---|---|
 | |
| Genre |
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| Created by |
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| Starring |
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| Country of origin | United Kingdom |
| Original language | English |
| No. of series | ii |
| No. of episodes | 16 (listing of episodes) |
| Production | |
| Running time | 60 minutes |
| Production companies | Kudos and BBC Wales |
| Distributor | Endemol Shine UK |
| Release | |
| Original network |
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| Moving-picture show format | 576i (16:9) |
| Original release | 9 January 2006 (2006-01-09) – ten April 2007 (2007-04-10) |
| Chronology | |
| Followed by | Ashes to Ashes |
| Related shows |
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Life on Mars is a British tv series broadcast on BBC Ane between 9 January 2006 and x April 2007. The series combines elements of speculative fiction and police procedural, featuring a police officer from the Greater Manchester Police (played by John Simm) from the year 2006 who wakes upwards in 1973 later on beingness striking past a car. The title is a reference to David Bowie'southward 1971 song "Life on Mars?".
An American adaptation of the series was produced by ABC and ran for one season from October 2008 to April 2009. A Spanish adaptation of the serial was circulate from Apr to June 2009. A Russian adaptation of the series entitled The Nighttime Side of the Moon was broadcast in November 2012. A Czech adaptation World under the Head was circulate by Czech Telly from January to March 2017. The Southward Korean adaptation began broadcasting in June 2018.[i] In Feb 2019, the BBC announced the product of a Chinese version, to be set in the 1990s.[2] A sequel to the serial, Ashes to Ashes, whose championship references some other David Bowie song, aired on BBC One from February 2008 to May 2010.[iii] A third and concluding series was reported equally in development in 2020, although it has yet to enter production.[4]
Plot [edit]
Life on Mars tells the fictional story of Sam Tyler (John Simm), a policeman in service with the Greater Manchester Police (GMP). Afterwards beingness hit past a car in 2006, Tyler awakens in 1973 to find himself working for a predecessor of the GMP, the Manchester and Salford Constabulary, at the same station and location every bit in 2006. Early on in the series, it becomes apparent to Tyler that he awakes equally a Detective Inspector, ane rank lower than his 2006 rank of Detective Primary Inspector. As role of the Criminal Investigation Section, Tyler finds himself working nether the command of DCI Gene Hunt (Philip Glenister). Throughout the two series, the plot is based on the ambivalence of Tyler'south predicament and the lack of clarity, to both the audience and the character, whether he has died, go comatose or time travelled.[5]
Production and transmission [edit]
The program was conceived in 1998, when screenwriters Matthew Graham and Ashley Pharoah were sent on a pause to the English seaside resort of Blackpool by Kudos Film & Goggle box to retrieve upwards programme ideas.[6] Originally titled Ford Granada afterwards the 1970s machine, the serial was rejected by the BBC.[seven] In response, Graham stated: "Dorsum and then, broadcasters but weren't comfortable with something like that, something that wasn't set in the existent world and that had a fantasy chemical element to it."[six] Co-ordinate to Graham, the initial idea was for a humorous, pre-watershed programme that overtly mocked the styles and attitudes of the 1970s, with the comic histrion Neil Morrissey envisaged as the cardinal character.[8]
Later, Aqueduct 4 drama executive John Yorke substantially redeveloped the original script, focusing on a double act betwixt Sam Tyler and Gene Hunt. Senior management eventually decided not to pursue the thought, with Graham stating that the reaction to the thought was: "It'southward going to be silly", as told to Radio Times. The series eventually attracted the attending of BBC Wales' Julie Gardner, who persuaded the Head of Drama for the BBC, Jane Tranter, to commission the programme from BBC Wales for BBC Ane.[6] John Yorke left Aqueduct four to rejoin the BBC and together with Julie Gardner, he acted as joint commissioning editor on the show for its entire run.
The programme's primal character was originally to accept been named "Sam Williams" but Kudos felt this non to be striking plenty and requested Graham devise an alternative surname. Graham asked his young daughter for her stance and she suggested "Sam Tyler", which became the grapheme'due south proper noun. Graham subsequently discovered that his daughter had named him after the Doctor Who character Rose Tyler.[9] The initial geographical setting was to be London; this was and then inverse to Leeds and finally to Manchester, as part of a BBC initiative to make more programmes in the metropolis.[8] The name Sam Williams was afterwards used equally a plot indicate in the second series.
Viii 1-hour episodes of Life on Mars were broadcast weekly on Monday nights at 9:00 pm by the BBC. The series episodes were mostly written past its creators Hashemite kingdom of jordan, Graham and Pharoah, afterwards joined by Chris Chibnall as the quaternary writer for the first series. For the 2nd serial, Graham, Pharoah and Chibnall returned to write episodes, joined by Julie Rutterford, Guy Jenkin and Mark Greig.[10]
The second serial was broadcast weekly at the same time as the get-go but on Tuesdays.[eleven] According to Jane Featherstone, the evidence'due south executive producer, speaking in February 2006, a film version of the bear witness was too a possibility: "Life on Mars was a very high concept idea and in that location was no doubt it would work on the big screen".[12]
On 9 October 2006, it was confirmed that the 2d serial of Life on Mars would exist the last. Matthew Graham stated: "We decided that Sam'southward journey should have a finite life span and a clear-cut catastrophe and we feel that nosotros take now reached that indicate after ii series".[thirteen] Graham'south claim that two endings had been filmed was subsequently revealed to be a ruse.[14]
The second series had a distinctive manner of introduction on BBC I: afterward a brief collage of momentary images, such as several test cards and comedy writer and broadcaster Barry Took, a mock-up version of BBC1's 1970s blue-on-blackness rotating globe ident was used, although the design had to be modified to fit widescreen sets. This was accompanied past a bass-voiced continuity announcer in the style of that era. Viewers in Wales saw an original 'BBC Cymru Wales' mechanical globe with introductions provided by former BBC Wales announcers. Trailers for the show too used the 1970s style, including the rhomb-fashion BBC logo.
Third serial [edit]
In April 2020, creator Matthew Graham tweeted that a third series was in product.[15] [16] Set in Manchester and London,[17] the serial is initially planned to consist of four or 5 episodes.[eighteen] Ashley Pharoah confirmed the show will be called Lazarus, in one case over again later the name of a David Bowie song.[19] Simm confirmed in January 2022 that he was involved, reprising his role as Sam Tyler along with Philip Glenister as Cistron Chase.[20]
Overseas sales [edit]
David E. Kelley produced the pilot for an American version of the series for the ABC network, though he handed duties over to others for the series product. It premiered in Oct 2008, and was circulate to minor critical and public acclaim where failing numbers led to cancellation in Apr 2009 after 17 episodes, though with sufficient lead to allow the storyline to exist concluded.
The showtime series of the original Life on Mars was broadcast in the U.s. on BBC America from July 2006 to August 2007 and was broadcast in 2010 on some public boob tube stations,[21] with the second serial being broadcast from Dec 2007 to January 2008.[22] [23] Acorn Media released both series on DVD in 2008.
The original version also was broadcast in Canada from September 2006 to Apr 2007 on BBC Canada, and from 8 January 2008 to 23 April 2008 on Télé-Québec in French and Showcase in English.
In New Zealand the original series was broadcast on TV One from February 2007, being described as "sensationally well-fabricated" past an NZ website.[24] Serial two was circulate from June 2008, with the final screening on 4 August 2008.
In Australia the original British version was broadcast on ABC1 from 20 May 2007, with the second following during February 2008. The US version broadcast on v February 2009 on Network Ten.
In the Republic of Republic of ireland RTÉ Ii broadcast the series from June 2007 in a late evening slot, following RTÉ News on Two.
The evidence has besides been transmitted in Croatia (Croatian Radiotelevision), Sweden (a cutting version on SVT 2), Netherlands (Nederland 3), in Frg (Kabel one), Hellenic republic (Skai TV), Kingdom of spain (Antena.neox), Israel (Hot), Italia (Rai Due), Japan, Serbia (B92), Norway (NRK) and Estonia (ERR). Sub began dissemination Life on Mars in Finland in April 2008, and ATV World started broadcasting the evidence in Hong Kong on thirteen July 2008,[25] [26] [27] France (13ème Rue).[28] In Hungary (Duna TV) Life on Mars started in March 2011. Castilian Television network Antena 3 bought the rights from the BBC and has remade the bear witness equally La Chica de Ayer (English: The Girl from Yesterday, the championship taken from a 1980 popular song), prepare in 1977 mail-Franco Espana.[29] [30]
The Russian broadcaster Channel One has remade the show every bit Обратная сторона Луны (The Nighttime Side of the Moon, after the Pinkish Floyd album of the aforementioned name).[31] The series began on 5 November 2012, running for 16 episodes. Information technology tells the story of Moscow law captain Mikhail Mikhailovich Solovyov (Михаил Михайлович Соловьёв), who is hitting past a car in 2012 during pursuit of a suspect, and wakes upward in infirmary in Soviet Moscow in 1979. Soon Mikhail is released, and takes the place of his father, Mikhail Ivanovich Solovyov.
Czech national Boob tube channel ČT1 has made a Television series heavily inspired by Life on Mars, called Czech: Svět pod hlavou (Earth nether the head). It tells the story of an elite policeman Filip Marvan, who is hit by a car and wakes up in a hospital in 1982, in Communist Czechoslovakia. The name of the series refers to a line from a song 5 stínu kapradiny past Jana Kratochvílová. The first episode of the series aired on 2 January 2017, scheduled to run for 10 episodes in total.
A Due south Korean adaptation developed past Studio Dragon and produced by Product H for pay TV network OCN aired from 9 June to 5 August 2018.[32]
Music [edit]
| Life on Mars | ||||
|---|---|---|---|---|
| Soundtrack anthology by Various artists | ||||
| Released | 19 February 2007 | |||
| Characterization | Sony BMG Music Entertainment | |||
| Producer | Kudos Movie and Television in association with Monastic Productions | |||
| Life on Mars chronology | ||||
| ||||
The programme'due south soundtrack features mainly early on 1970s songs which were played equally role of Life on Mars, as well as an original score of the theme music as part of the title sequence composed by Edmund Butt. The bear witness'due south championship is in reference to the David Bowie song, "Life on Mars?", which plays on an iPod in Sam's car while he is run over, and on an viii-rails tape in a Rover P6 when he awakes in 1973; information technology is used again at the climax of the final episode, and fleeting moments of the vocal are periodically used throughout the tertiary series of the plan'due south sequel, Ashes to Ashes, to insinuate to Sam Tyler's fate.
Matthew Graham stated that initially there were some concerns over whether the product team would be able to license the vocal, which, had they been denied, would have necessitated retitling the serial.[33] Some other Bowie song, "Space Oddity", is used in BBC trailers advertizement the series. In several episodes, Factor Hunt adopts the name "Gene Genie", in reference to even so another Bowie vocal, "The Jean Genie", used in the fourth episode. Another Bowie track, "Changes", is played over the cease credits of the second series finale.
The bear witness's creators were initially refused permission to use "Live and Let Die" by Paul McCartney and Wings but, according to Graham in the Radio Times, "We sent the episode direct to Paul McCartney. Well-nigh immediately, his assistant phoned back and said, 'Paul loves it. You lot tin go ahead and use it'".[34]
Music used [edit]
| Series | Episode | Band | Song |
|---|---|---|---|
| one | 1 | Blue Öyster Cult | "Stairway to the Stars" |
| David Bowie | "Life on Mars?" | ||
| Deep Purple | "Fireball" | ||
| "Rat Bat Blueish" | |||
| Lou Reed | "I'm So Free" | ||
| The Motion | "Experience Also Skillful" | ||
| Sweet | "Niggling Willy" | ||
| The Who | "Baba O'Riley" | ||
| Cream | "White Room" | ||
| Uriah Heep | "Easy Livin'" | ||
| "Look at Yourself" | |||
| ii | Hawkwind | "You Shouldn't Do That" | |
| Lee "Scratch" Perry and The Upsetters | "Jungle Lion" | ||
| Paul McCartney and Wings | "Alive and Let Dice" | ||
| Deep Purple | "No One Came" | ||
| "Lazy" | |||
| Pink Floyd | "One of These Days" | ||
| Status Quo | "Inferior'southward Wailing" | ||
| Sparse Lizzy | "Saga of the Ageing Orphan" | ||
| 3 | Costless | "Wishing Well" | |
| Sweet | "The Ballroom Blitz" | ||
| Uriah Heep | "Gypsy" | ||
| 4 | Atomic Rooster | "Head in the Sky" | |
| David Bowie | "The Jean Genie" | ||
| Frankie Miller | "I Tin can't Change It" | ||
| Jethro Tull | "Cross-Eyed Mary" | ||
| Roger Whittaker | "I Don't Believe in If Anymore" | ||
| Hawkwind | "Silver Machine" | ||
| Slade | "Gudbuy T' Jane" | ||
| Sugariness | "Cake Buster!" | ||
| Hawkwind | "Brainstorm" | ||
| The Rolling Stones | "Wild Horses" | ||
| v | Cream | "White Room" | |
| Nina Simone | "I Wish I Knew How Information technology Would Feel to Be Free" | ||
| Roxy Music | "Female parent of Pearl" | ||
| "Would You Believe?" | |||
| T. Rex | "Jeepster" | ||
| Thin Lizzy | "Call the Police" | ||
| "The Rocker" | |||
| half-dozen | Louis Armstrong | "What a Wonderful Earth" | |
| vii | Britney Spears | "Toxic" | |
| Nina Simone | "Sinner Man" | ||
| Peters and Lee | "Welcome Home" | ||
| Pulp | "Disco 2000" | ||
| 8 | Diminutive Rooster | "Save Me" | |
| Atomic Rooster | "Devil's Reply" | ||
| Free | "Little Fleck of Beloved" | ||
| John Kongos | "Tokoloshe Homo" | ||
| David Bowie | "Life on Mars?" | ||
| Lindisfarne | "Meet Me on the Corner" | ||
| Wizzard | "Come across My Infant Jive" | ||
| 2 | i | David Bowie | "Starman" |
| Roxy Music | "Street Life" | ||
| The 3 Degrees | "Everybody Gets to Go to the Moon" (alive version) | ||
| "Year of Decision" (live version) | |||
| 2 | Elton John | "Farewell Yellow Brick Road" | |
| Mungo Jerry | "In the Summertime" | ||
| The Hollies | "Long Cool Woman in a Black Dress" | ||
| three | Barclay James Harvest | "When the City Sleeps" | |
| David Cassidy | "How Can I Be Certain" | ||
| Sweet | "Hell Raiser" | ||
| 4 | David Bowie | "Aladdin Sane" | |
| The Strawbs | "Lay Down"[35] | ||
| Gilbert O'Sullivan | "Lone Again (Naturally)" | ||
| Roxy Music | "Just Like You" | ||
| Santana | "Samba Pa Ti" | ||
| Slade | "Coz I Luv You" | ||
| T. Male monarch | "Rock On" | ||
| The Moody Blues | "The Story in Your Eyes" | ||
| 5 | Roxy Music | "Merely Similar You" | |
| Electric Light Orchestra | "10538 Overture" | ||
| Hawkwind | "You Shouldn't Do That" | ||
| vi | Ananda Shankar | "Snow Flower" | |
| Audition | "I Had a Dream" | ||
| Cozy Powell | "Trip the light fantastic toe with the Devil" | ||
| Elton John | "Rocket Man" | ||
| Shocking Blue | "Hot sand" | ||
| Thin Lizzy | "Whiskey in the Jar" | ||
| Uriah Heep | "Traveller in Time" | ||
| vii | Faces | "Cindy Incidentally" | |
| Mott the Hoople | "1 of the Boys" | ||
| 8 | Atomic Rooster | "Decision/Indecision" | |
| David Bowie | "Changes" | ||
| "Life on Mars?" | |||
| Elton John | "Funeral for a Friend/Love Lies Bleeding" | ||
| State of israel Kamakawiwoʻole | "Somewhere over the Rainbow/What a Wonderful Globe" | ||
| Mott the Hoople | "I of the Boys" | ||
| Tom Waits | "I Promise That I Don't Fall in Dearest with Yous" |
Soundtrack CD Track listing [edit]
| No. | Championship | Contributing artist | Length |
|---|---|---|---|
| 1. | "Introduction: Dialogue — King of the Jungle" | 0:20 | |
| 2. | "Life on Mars?" | David Bowie | 3:44 |
| three. | "Street Life" | Roxy Music | 3:13 |
| 4. | "Live and Allow Die" | Paul McCartney and Wings | iii:10 |
| 5. | "10538 Overture" | Electric Lite Orchestra | 5:25 |
| 6. | "Tokoloshe Human being" | John Kongos | 3:48 |
| 7. | "Devil's Answer" | Diminutive Rooster | 3:26 |
| 8. | "Stone On" | T. King | 3:26 |
| ix. | "Little Flake of Love" | Free | two:thirty |
| 10. | "Jungle Lion" | Lee "Scratch" Perry and The Upsetters | 4:19 |
| 11. | "Cursory Interlude: Dialogue — Armed Bastards!" | 0:04 | |
| 12. | "Blockbuster!" | Sweetness | three:eleven |
| 13. | "Cindy Incidentally" | Faces | 2:35 |
| 14. | "Snowfall Flower" | Ananda Shankar | ii:45 |
| 15. | "Coz I Luv Yous" | Slade | 3:30 |
| xvi. | "One of the Boys" | Mott the Hoople | 4:33 |
| 17. | "Meet Me on the Corner" | Lindisfarne | 2:38 |
| eighteen. | "I Can't Alter Information technology" | Frankie Miller | 3:06 |
| xix. | "Whiskey in the Jar" | Sparse Lizzy | v:42 |
| 20. | "I Had a Dream" | Audience | 4:17 |
| 21. | "Traveller in Time" | Uriah Heep | three:21 |
| 22. | "I Wish I Knew How It Would Feel to Be Free" | Nina Simone | three:06 |
| 23. | "Epilogue Dialogue: I Desire to Go Dwelling / "Title Music from Life on Mars" (Hidden track)" | Edmund Butt | ii:26 |
| Total length: | 1:13:28 | ||
Characters [edit]
The methodology and techniques of modernistic policing that Sam Tyler employs during Life on Mars atomic number 82 him into clashes with other characters. Gene Hunt and the rest of the CID appear to favour brutality and corruption to secure convictions, equally shown by their willingness to physically coerce confessions and fabricate evidence.[36] In both series, Tyler clashes with Hunt the well-nigh ofttimes, commonly because Tyler values forensic testify whereas Hunt often resorts to traditional methods and gut instincts. In one episode during Series 1, in which doubt is cast on several suspects, Hunt insists that "the get-go to speak is guilty" and frequently refers to the 'Gene Genie'.
Sam describes Hunt as an "overweight, over-the-hill, nicotine-stained, deadline alcoholic homophobe with a superiority complex and an unhealthy obsession with male bonding", to which Chase responds, "You make that audio similar a bad thing". Hunt is supported by his fiercely loyal subordinates, Chris Skelton and Ray Carling, with the latter portrayed as a graphic symbol similar to Hunt. Ray and Sam ofttimes disagree with each other and Sam and Gene have a love-hate relationship.[37] Chris, in contrast, becomes friendly with Sam and respects his mod methods, finding his loyalty torn between Gene and Sam.[38]
Given Sam's predicament, he avoids revealing his suspicion that he may have travelled back in time, for fear that others will think he is insane. The only person in 1973 to whom Sam fully reveals his story is Annie Cartwright. According to Liz White, the actress who played Cartwright, "She gets very tired of his constant talk nearly how this situation is not real, that they are all figments of his imagination — she can only explain it every bit psychological trauma from his motorcar crash".[39]
Themes and storyline [edit]
Later on the premiere, each of the remaining fifteen episodes begins with a short teaser before a monologue in which Sam repeats, as office of the moving imagery of the title sequence:
My name is Sam Tyler. I had an accident and I woke upwards in 1973. Am I mad, in a coma, or back in time? Whatever's happened, it'south like I've landed on a different planet. At present, maybe if I can work out the reason, I can go home.
This questioning is a central plot device throughout the series, displaying both the character's and the audition's uncertainty nearly what has happened.
Throughout the course of Life on Mars, Sam's uncertainty is reinforced by frequent paranormal phenomena, such as hearing voices and seeing images from 2006 on radios, telephones, and televisions. The voices discuss his medical condition, leading him to partially believe that he is in a coma. Other elements suggest to him that he is insane, such equally his frequent and unexpected encounters with the Test Bill of fare Girl from Test Card F, who speaks directly to him. Annie Cartwright partially persuades Sam that he is truly in 1973, arguing that his listen would exist unable to fabricate the amount of particular and tangibility in the globe where he finds himself, evidence that he is in fact in 1973.
Sam's uncertain situation is not the focal signal of most episodes, remaining a sub-plot. In most episodes, the primary plot centres on a particular crime or case relating to the police, such every bit drug trafficking, a hostage situation, murders and robberies. For this reason, most episodes follow a conventional constabulary drama format. Every bit the series progresses, Sam focuses on how he will get home in most every episode.
A recurring motif throughout the series is the overlapping of the by and present. For example, during Serial 1: Episode half-dozen Sam hears the voice of his mother in 2006, telling him his life-back up will exist switched off at two:00 pm. At the aforementioned time he is called into a hostage-taking situation, where the perpetrator states that he will impale his victims at precisely the same hour. Sam also encounters every bit their younger selves people whom he knows in the future, including suspects, friends, his own parents, and himself every bit a child.
Sam comes from an era in which suspects' rights and the preservation of forensic prove are stringently observed. His background leads Sam into conflict, equally other characters exhibit openly sexist, homophobic, and racist behaviour, and often indulge all these prejudices while carrying out their law duties.
The series oft makes use of Cistron Hunt's comical rudeness in the class of jokes and dramatic irony nigh a future which the audience already knows, but which the characters in 1973 practise non. For example, in Series 1: Episode five, Hunt declares, "There will never be a woman prime minister as long equally I accept a pigsty in my arse." Even so, in line with the ambivalence of the Hunt character, the irony is qualified by the fact that, in the existent 1973, Margaret Thatcher herself told the BBC's Valerie Singleton in an interview, "I don't think in that location will be a adult female Prime Minister in my lifetime." The prune of this remark had ofttimes been replayed on British Telly and the audience would be familiar with it.[xl]
Another theme in the testify is Sam'south confusion nearly police piece of work in 1973, as he often mistakenly mentions techniques and technologies that were not used in 1973, such as two-way mirrors. 1 such theme is that Sam continually gives criminals the updated version of the right to silence alert, which was changed in 1994. When he does then, someone around him ordinarily points out that he is giving the alarm incorrectly.
Finale [edit]
It is revealed in the concluding episode that Sam's coma had lasted then long because he had a neoplasm of the brain. Tyler comes to believe the tumour is embodied by Hunt, and begins to think that by bringing Hunt downward, his own body tin can recover. To this end, Tyler begins to interact with Frank Morgan (Ralph Brown) to bring Hunt downward. While Tyler and the team are engaged in a firefight with armed robbers, Sam returns to 2006. He eventually comes to realise that he has go used to, and enjoys, the 1970s, seeing information technology as his "real world". In an try to get dorsum to 1973 to relieve Annie and the residuum of the team from decease, Sam leaps off the roof of the police station, arriving back in 1973 and saving the team, promising never to leave them again. Author Matthew Graham wrote the scene to indicate that Sam is now in the afterlife, but acknowledged that the catastrophe is ambiguous and open up to other interpretations, such every bit lead actor John Simm's belief that Sam may not accept returned to the nowadays.[14] I manner this could work is that Sam is actually the Hyde detective that Frank Morgan says he is, who had an accident on the way to Manchester. The doctor treating Sam in the future is the same as Frank Morgan, merely Sam couldn't have seen him in the future since he'due south in a coma. The only way they could exist the same is if the Frank Morgan in 1973 is the real ane, and Sam is hallucinating the future doctor.
In the final scene, the team drive off, with Sam and Gene bickering as usual. Children run by, including the girl from Test Carte F who symbolizes the death that has been stalking Sam since the starting time. She looks directly into the photographic camera before reaching out and "switching off" the telly the viewer is watching, signifying that Sam'southward life has come to an stop.[14]
The first episode of sequel serial Ashes to Ashes shows that the protagonist, DI Alex Drake of the Metropolitan Police, has been studying Tyler'southward notes and 2006-era personnel file, in which his photo is overstamped with the word "SUICIDE" - consequent with what happened in the series finale. Ashes to Ashes implies that Gene Hunt's globe is in some sense real, and states that Sam lived on in that world, during which fourth dimension he married Annie but had no children.
In the final episode of "Ashes to Ashes" a fuller explanation for Sam Tyler's experience is provided, when the function of Cistron Hunt in both Life on Mars and Ashes to Ashes is revealed.
Depiction of 1973 [edit]
During an interview John Stalker, Deputy Master Constable of Greater Manchester in the early on 1980s and himself a Detective Inspector in 1973, has stated that the depiction of the police "has got zilch to practice with real policing in the 1970s. Information technology could non be more than inaccurate in terms of procedure, the style they talk or the mode they clothes. In all the time I was in the CID in the 1970s I never saw a copper in a leather bomber jacket and I never heard an officer call anyone 'guv'. ... Actually, in that location were a few police officers in London who started to behave like Regan and Carter in The Sweeney, merely that was a instance of life following art, not the other way round".[41] The journalist who interviewed Stalker, Ray King, remarks that the delineation of the police force can be defended if nosotros assume that Sam is indeed in a coma and that we are seeing his imaginary idea of 1973, filtered through 1970s police shows.[41]
Upon Sam Tyler awaking in 1973, he finds himself on a edifice site, beneath a large advertising board, proclaiming the structure of a new pike, the Mancunian Way. In reality, construction of Mancunian Way was completed in 1967. According to Matthew Graham, writing in the Radio Times, the error was deliberate. "We knew that this road was built in the 1960s, just we took a fleck of creative licence".[42] Minor historical anachronisms such as this are nowadays throughout Life on Mars. Some, as above, were made out of artistic licence whilst others were deliberately inserted to confuse the issue of whether Sam Tyler was in a coma, mad or really dorsum in time. Many inaccuracies were visible such as modernistic street furniture, cable tv set cabinets, satellite idiot box dishes, CCTV cameras, LCD digital watches and double-glazed uPVC window frames, which were all unintentional.[43] During DVD commentaries for the series, the programme makers admit these as errors simply besides indicate out they are perfectly feasible, given Sam's situation.[33] As the popularity of the series grew, the hunting of such anachronisms became a favourite pastime among Life on Mars fans.[44]
Greater Manchester was formed in 1974, consequently the show references the police officers working for Lancashire Constabulary, rather than Greater Manchester Police. Yet, in 1973 Hyde would have been covered by the Cheshire Constabulary surface area.[45] Therefore, an undercover officeholder from Hyde working in Manchester would suggest Lancashire Constabulary was being investigated by a different police force.
The brown Ford Cortina used past Gene throughout both of the seasons was a 1974 model, which makes it anachronistic. In production, 3 unlike cars were used.[46]
Cultural references [edit]
Hyde, a town to the east of Manchester, is used as Sam's former police division as a clue that his 1973 self is an alter ego, as in Robert Louis Stevenson's The Foreign Case of Dr Jekyll and Mr Hyde.[33]
Reception [edit]
Critical reception [edit]
Critical reaction to the showtime series of Life on Mars was extremely positive. Steve O'Brien, writing for SFX, declared, "It looks like BBC One has ... a monster hit on its hands ... It'south funny ... and dramatic and exciting, and we're actually not getting paid for saying this".[47] Alison Graham, goggle box editor for the Radio Times, described the serial as "a genuinely innovative and imaginative take on an onetime genre".[48] James Walton of The Daily Telegraph commented, "Theoretically, this should add up to a correct one-time mess. In practice, it makes for a thumpingly enjoyable piece of television — not least because everybody involved was obviously having such a smashing time".[49] Sam Wollaston of The Guardian wrote: "Life on Mars was more than just a jolly, tongue-in-cheek romp into the past ... In one case there, in 1973, we find ourselves immersed in a reasonably gripping police force drama — yes, The Sweeney, perhaps, with amend production values ... Or put another — undeniably laboured — way, as poor Sam Tyler walks through his sunken dream, I'one thousand hooked to the silver screen".[50] Disquisitional reaction remained generally positive throughout the programme'southward run. Of the second series, Alison Graham believed that "Sam Tyler and Factor Hunt are shaping upwardly nicely as one of the great Boob tube detective partnerships ... It's vastly enjoyable and manages to stay just about believable thanks to some strong writing and, of class, the two marvellous central performances".[51]
Nancy Banks-Smith, in The Guardian, felt that the time-paradox aspect of the program had become somewhat disruptive.[52] Banks-Smith summed upward the programme'due south success as "an inspired accept on the usual formula of Gruff Copper of the old schoolhouse, who solves cases by examining the entrails of a craven, and Sensitive Sidekick, who has a degree in detection.".[53]
Two days after the final episode's transmission, Life on Mars was attacked in the British press past the National Clan of Schoolmasters/Matrimony of Women Teachers (better known as NASUWT), who claimed that Gene Chase'south apply of homophobic insults in the programme could encourage copycat bullying in schools.[54] The BBC stated that Life on Mars was targeted at an adult audience, and argued that Hunt's characterisation was "extreme and tongue-in-cheek".[54]
In 2019, The Guardian ranked it 99th in the top 100 TV shows of the 21st Century.[55]
Ratings [edit]
Life on Mars was a ratings success. The first series accomplished an average audience figure of vi.8 million viewers[56] and regularly won its timeslot, despite competition from ITV1's popular one-act-drama serial Northern Lights. The kickoff series' finale gained 7.one million viewers and a 28% audition share.[57] [58] [59] [60] [61]
Viewing figures for the second series were initially low, with the first episode only attracting 5.seven 1000000 viewers, slumping to iv.8 million viewers by episode three, despite beingness heavily trailed and publicised.[56] These figures were blamed past The Phase on "poor scheduling and unfortunate sporting fixtures, possibly combined with loftier expectation".[62] Audience figures picked upwards during the second series' run, however, with the final episode gaining an average of seven one thousand thousand viewers (a 28% audition share),[63] despite competition from UEFA Champions League football on ITV1.[64]
| Episode Social club | Viewers (millions) |
|---|---|
| 8 | 7.10 |
| 9 | 5.70 |
| xi | 4.eighty |
| xvi | 7.15 |
Accolades [edit]
The series twice won the International Emmy Honor for Best Drama Serial in 2006 and 2008.[65] In Jan 2007, information technology won the Best New Programme category as part of the Broadcast Mag awards.[66] In March 2007 information technology won two categories, All-time Drama Series and the Writers' Accolade, at the Broadcasting Press Social club Awards.[67]
The first series was nominated for a British University Television Honor (BAFTA) in the Best Drama Serial category. John Simm was also nominated every bit Best Thespian for his work on the show.[68] The programme won the audition-voted "Pioneer Award".[69]
In October 2007, series two was nominated every bit the Most Popular Drama at the 2007 National Television Awards.[70]
Abode release [edit]
DVD [edit]
| DVD release name | Episodes | Years of Series | UK Release Appointment (Region two) | N American Release Engagement (Region i) | Australian Release Engagement (Region 4) |
|---|---|---|---|---|---|
| Life on Mars: Serial 1 | ane—eight | 2006 | xv May 2006[89] Re-released 28 Feb 2011[90] | 28 July 2009[91] | 3 December 2009[92] |
| Life on Mars: Series two | nine—sixteen | 2007 | 16 April 2007[93] Re-released 28 Feb 2011[94] | 24 Nov 2009[95] | 5 November 2009[96] |
| Life on Mars: Serial 1 & 2 | 1—sixteen | 2006—2007 | 10 September 2007[97] Re-released 28 February 2011[98] | North/A | Due north/A |
Blu-ray [edit]
| Blu-ray release name | Episodes | Years of Series | United kingdom of great britain and northern ireland Release Date (Region B) | Due north American Release Date (Region A) | Australian Release Date (Region B) |
|---|---|---|---|---|---|
| Life on Mars: Series 1 | 1–8 | 2006 | 27 October 2008[99] | Northward/A | N/A |
| Life on Mars: Series two | 9–16 | 2007 | 27 October 2008[100] | N/A | Northward/A |
- Note: Due to the popularity of the show, Blu-ray editions of both series were released on 27 October 2008. However, since the prove'south diverse effects were originally edited and mastered in standard definition, a truthful HD version would require a near-total overhaul. The Blu-ray editions therefore independent studio-upscaled footage of the original SD content, providing some improvement. This pseudo-HD version is not known to have been broadcast on television.
Books [edit]
Companion books [edit]
In that location take been 2 official tie-in books to back-trail the serial featuring episode summaries, cast and graphic symbol profiles, music listings to each testify, script extracts, plus backside-the-scenes content and never before seen photos.
- Thompson, Lee (2006). Life on Mars: The Official Companion. Pocket Books Publishers. ISBN978-1-84739-005-9.
- Adams, Guy; Thompson, Lee (2007). Life on Mars: The Official Companion Book Two. Pocket Books Publishers. ISBN978-1-84739-039-iv.
Humour [edit]
- The Rules of Mod Policing (1973 Edition) past "DCI Gene Hunt" (Bantam Press) [8 Oct 2007]
A parody of a constabulary manual that made fun of the conventions of 1970s British police force procedurals like The Sweeney. It also contained a glossary of British 1970s slang terms. The actual author of the text is Guy Adams.
- The Wit and Wisdom of Gene Chase by "DC Chris Skelton and DS Ray Carling" (again, Guy Adams) (Bantam Press)
A book detailing the philosophy of Cistron Chase as told by his disciples.
Novels [edit]
On 12 March 2012, Kate Bradley, Commissioning Editor at HarperCollins, secured a bargain with Kudos Film and Television set to publish four brand new Life on Mars novels. The Life on Mars books were published exclusively as eBooks at roughly three-month intervals, simply were successful plenty to generate the release of difficult copy, trade paperbacks in August 2013. The author of the series is Tom Graham, Matthew Graham'south blood brother. (Despite before speculation that the brother identity was a pseudonym for another writer—based on a preponderance of misleading evidence that turned out to consist of improbably high coincidence—the by-line, and the familial relationship, are admittedly authentic.)
Content-wise, the novels brainstorm to explore the continuity gap between Life on Mars and Ashes to Ashes, picking upward approximately where the first TV serial leaves off; but it is not necessary to know both series to savor the books. Said Tom Graham in a pre-publication interview: "…I fabricated a very conscious conclusion to movement on from the show, not to tinker or play around with pre-existing story lines. There is more enough new and unused material for my books without me going back and plundering previous episodes. Also (and this is 1 of the realities of publishing) my books had to in some way stand apart from the prove and be accessible to readers who only vaguely think Life on Mars just haven't seen it since it was outset aired. There were times I felt like Peter Jackson making the Lord of the Rings Trilogy – like him, I accept to appeal to the difficult core fan, the semi-fan, the part-time fan, and the casual passing punter who's never even heard of the thing. Dissimilar Jackson, I didn't have a half a billion dollars budget riding on information technology, but the principle's the aforementioned. So, I accept very deliberately written books that retrieve the TV prove, jog memories of characters and events from the show, recreate the atmosphere and ethos of the evidence, but don't require an in-depth knowledge of minor characters and plot points. Nosotros don't (yet) plunge into the effectively details of the LoM mythology that would mystify the general reader, but if further books are commissioned, there will be enough of room to go stuck into the minutiae!"
Though each volume can stand up on its own, the 4 are best read as a tetralogy, in social club of list below, equally at that place is a superstructure linking them together. They are:
- Graham, Tom (2012). Bullets and Blue Stratos. HarperCollins Publishers. ISBN978-0-00-747257-4.
- Graham, Tom (2012). A Fistful of Knuckles. HarperCollins Publishers. ISBN978-0-00-747258-1.
- Graham, Tom (2012). Borstal Slags. HarperCollins Publishers. ISBN978-0-00-747259-8.
- Graham, Tom (2013). Become Cartwright. HarperCollins Publishers. ISBN978-0-00-747260-4.
(Each of the book titles is a play on a pop culture phrase or film title that is of, or relevant to, the '70s, those being Blood, Bullets and Babes, A Fistful of Dollars, Borstal Male child and Go Carter).
Pop culture [edit]
- Non Going Out - Life on Mars Bars, Lee has a like experience to Sam Tyler. Lee is striking by a machine whilst the song Life on Mars plays and finds out he is in a coma.[101]
References [edit]
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External links [edit]
- Life on Mars at BBC Online
- Life on Mars at IMDb
- Episode reviews of the series at The Anorak Zone
Source: https://en.wikipedia.org/wiki/Life_on_Mars_%28British_TV_series%29
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